The 54 photos already posted online can be found here. There is a broad selection of images in the three categories: Nature, People and Places. In the tradition of National Geographic all the images are in themselves beautiful. More importantly though each makes a statement, tells a story or asks a question.
Take no.36 for instance. The photographer, Christopher Bellezza, has distilled the story of his grandfather's working life into a single moment. A writer, even the most concise of hacks, would likely struggle to pen Grandpa Bellezza's tale in anything close to the proverbial 1,000 words.
| #36 'Papa' by Christopher Bellezza (National Geographic Photo Contest 2011) |
I'm certainly not trying to masquerade as an art critic. For me they are stories, plain to see. That is where their importance lies. In our new digital world, dominated by 140 character web-bites, photographs have an even greater role to play. We all see narratives in the events which surround use. Journalists first condensed these to stories. Lengthy ones. When that was too much, headlines grew in importance. Snippets of news. The ever present 'top line'. Now even that is too much. Whole stories and opinions are condensed into quasi-sentences-bites millions of times a day. That is how information is consumed now.
The same isn't true of pictures. There is no way to condense an image, no means to shrink it to fit on the head of a pin (that may not be strictly true, but the point stands). In this climate an image is worth so much more than 1,000 words. Print media can actually deliver photographs in a more desirable form.
I very much doubt there is anybody out there who'd rather take in these pictures through a smartphone screen when they could have a great stack of glossy National Geographic magazines on their coffee table or by the loo. Until social media can find a way, god forbid, of reducing photojournalism to 140 pixel morsels, the print industry has at least one good reason to hoist a middle finger up to 'the man'.
